Remastered Art Twenty Cent Movie by Reginald Marsh 20240112
by Reginald Marsh
Title
Remastered Art Twenty Cent Movie by Reginald Marsh 20240112
Artist
Reginald Marsh
Medium
Painting - Remastered Art
Description
Remastered Art Twenty Cent Movie by Reginald Marsh 20240112
Reginald Marsh (March 14, 1898 – July 3, 1954) was an American painter, born in Paris, most notable for his depictions of life in New York City in the 1920s and 1930s. Crowded Coney Island beach scenes, popular entertainments such as vaudeville and burlesque, women, and jobless men on the Bowery are subjects that reappear throughout his work. He painted in egg tempera and in oils, and produced many watercolors, ink and ink wash drawings, and prints. Reginald Marsh rejected modern art, which he found sterile. Marsh's style can best be described as social realism. His work depicted the Great Depression and a range of social classes whose division was accentuated by the economic crash. His figures are generally treated as types. "What interested Marsh was not the individuals in a crowd, but the crowd itself ... In their density and picturesqueness, they recall the crowds in the movies of Preston Sturges or Frank Capra". Marsh's main attractions were the burlesque stage, the hobos on the Bowery, crowds on city streets and at Coney Island, and women. His deep devotion to the old masters led to his creating works of art in a style that reflects certain artistic traditions, and his work often contained religious metaphors. "It was upon the Baroque masters that Marsh based his own human comedy", inspired by the past but residing in the present. The burlesque queen in the etching Striptease at New Gotham (1935) assumes the classic Venus Pudica pose; elsewhere, "Venuses and Adonises walk the Coney Island beach [and] deposed Christs collapse on the Bowery". The painting Fourteenth Street (1934, in the Museum of Modern Art, New York) depicts a large crowd in front of a theater hall, in a tumbling arrangement that recalls a Last Judgment. Marsh filled sketchbooks with drawings made on the street, in the subway, or at the beach. Marilyn Cohen calls Marsh's sketchbooks "the foundation of his art. They show a passion for contemporary detail and a desire to retain the whole of his experience". He drew not only figures but costumes, architecture, and locations. He made drawings of posters and advertising signs, the texts of which were copied out along with descriptions of the colors and use of italics. In the early 1930s he took up photography as another means of note taking. Signage, newspaper headlines, and advertising images are often prominent in Marsh's finished paintings, in which color is used to expressive ends—drab and brown in Bowery scenes; lurid and garish in sideshow scenes. -wikipedia
Remastered Artwork are professionally restored and enhanced to bring out the brilliance of the original art the way they were intended on the first day they were presented to the public. This type of artwork would look terrific on a large canvas, and a print on any other media would look just as stunning!
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Uploaded
January 12th, 2024
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